Publication: Autobiografía contra la política del nosotros : una lectura de Todo lo que era sólido, de Antonio Muñoz Molina
Authors
Muñoz, Lindsey Reuben
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info:eu-repo/semantics/article
Description
Abstract
Este trabajo propone una lectura del ensayo
Todo lo que era sólido
(2013), del novelista
Antonio Muñoz Molina. Aunque este ensayo se ha leído en clave apolítica, y como
reacción ante el ciclo de movilización del 2008 encabezado por el 15
-
M de parte de la voz
autorizada de un escritor de prestigio d
e la "Literatura Mundial", en el presente trabajo
sugiero que es posible ejecutar una lectura no reducible a la demanda política si
atendemos a la inscripción autobiográfica que atraviesa la escritura de este ensayo. El
tejido que acompaña la escritura aut
ográfica, más que una anti
-
política estética, es un
testimonio que en su historicidad abre caminos para comprender de otro modo la crisis del
contrato social en la frágil modernización de la democracia española.
This paper proposes a reading of Antonio Muñoz Molina's recent essay, Todo lo que era sólido (2013), in relation to political and social questions. Althou gh this essay has been read as lacking political worth and distant from the 15 - M mobilization and speaking from the privileged viewpoint of a "World Literature" writer, I argue that it is also possible to read this work beyond political demands if we atten d to the autobiographical inscription within this essay. The interweaving of Muñoz Molina’s autobiographical writing, more than expressing an apolitical aesthetics, is really an epochal testament that opens to other ways of comprehending the crisis of the social contract within the fragile modernization of Spanish democracy.
This paper proposes a reading of Antonio Muñoz Molina's recent essay, Todo lo que era sólido (2013), in relation to political and social questions. Althou gh this essay has been read as lacking political worth and distant from the 15 - M mobilization and speaking from the privileged viewpoint of a "World Literature" writer, I argue that it is also possible to read this work beyond political demands if we atten d to the autobiographical inscription within this essay. The interweaving of Muñoz Molina’s autobiographical writing, more than expressing an apolitical aesthetics, is really an epochal testament that opens to other ways of comprehending the crisis of the social contract within the fragile modernization of Spanish democracy.
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