Publication: Rutas y hallazgos: Prácticas colaborativas con mujeres privadas de su libertad del Centro de Reinserción Social de Mexicali. Baja California, México
Authors
Arroyo, Marycarmen ; Espinoza, Alejandro ; Herrera, Kenya
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/reapi.558161
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info:eu-repo/semantics/article
Description
Abstract
Este artículo presenta los hallazgos de Ave Fénix, un proyecto que trabaja con mujeres privadas de la libertad en un Centro de Reinserción Social en Mexicali, Baja California, México. Exploramos las posibilidades de un trabajo colaborativo e interdisciplinario, donde la experimentación y el diálogo fueran condiciones para experiencias situadas desde el cuerpo y los afectos. Este laboratorio parte de una epistemología desobediente e indisciplinada que opera desde la horizontalidad, las afectividades y la comunalidad. El dibujo, la pintura, lo performativo, la fotografía, la escritura y el movimiento corporal se integraron como procesos artístico pedagógicos que detonaron eventos transformativos.
El proyecto propone una práctica artístico pedagógica afectiva y encarnada que responde a los encuentros como un proceso para resignificar la vida como digna y autónoma, y vislumbra posibilidades de agencia y solidaridad en un espacio de control y disciplinamiento. Presentamos los hallazgos que crearon momentos de resistencia y re-existencia para todas las personas que participamos en el proyecto.
Ave Fénix is a multidisciplinary collective that works with incarcerated women at the Social Reintegration Center (“Centro de Reinserción Social”, or CERESO) in Mexicali, Baja California, Mexico. Throughout 2021 and 2022, we developed a specific project which addresses the body and its affects as groundworks for our explorations. This article presents a reflection upon artistic pedagogical practices as a methodological process, as well as the terms in which collaboration, communality and dialogue can create situated experiences. Taking into account the multidisciplinary nature of the collective (integrating the visual arts, film and psychology), our starting point was the premise that a disobedient and undisciplined epistemology can operate within a framework of horizontality and communality.The paths we traced during the course of this project were directed towards affective and embodied practices, where drawing, painting, performance, photography, writing and body movement served as triggering and transformative processes to resignify life as dignified and autonomous. Our results became discoveries that gave us a glimpse into the possibilities of agency and solidarity, in a space of disciplinary control, creating moments of resistance and re-existence for all the people involved.
Ave Fénix is a multidisciplinary collective that works with incarcerated women at the Social Reintegration Center (“Centro de Reinserción Social”, or CERESO) in Mexicali, Baja California, Mexico. Throughout 2021 and 2022, we developed a specific project which addresses the body and its affects as groundworks for our explorations. This article presents a reflection upon artistic pedagogical practices as a methodological process, as well as the terms in which collaboration, communality and dialogue can create situated experiences. Taking into account the multidisciplinary nature of the collective (integrating the visual arts, film and psychology), our starting point was the premise that a disobedient and undisciplined epistemology can operate within a framework of horizontality and communality.The paths we traced during the course of this project were directed towards affective and embodied practices, where drawing, painting, performance, photography, writing and body movement served as triggering and transformative processes to resignify life as dignified and autonomous. Our results became discoveries that gave us a glimpse into the possibilities of agency and solidarity, in a space of disciplinary control, creating moments of resistance and re-existence for all the people involved.
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Citation
Arte y Políticas de Identidad, Vol. 28 (2023)
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