Publication: El Silencio audible. De la escucha asombrada a la escucha generativa
Authors
Garriga Inarejos, Rocío
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Publisher
Murcia: Servicio de Publicaciones de la Universidad de Murcia
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DOI
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info:eu-repo/semantics/article
Description
Abstract
El presente artículo aborda el tema de la implicación del silencio en
la escucha y su aportación epistemológica a la cultura. El objetivo
principal consistirá en demostrar que el silencio articula un papel
fundamental a nivel perceptivo y creativo, constituyéndose así en
una poderosa herramienta para la construcción e interpretación
de sentido. El artículo se ha dividido en tres partes: el tratamiento
del vínculo inherente entre silencio y escucha, las raíces de
la escucha asombrada a través de la literatura y el análisis de
parte del trabajo del artista Felix Hess que se encuentra ligado
a los principios transmitidos en los puntos anteriores. Todo ello
destacará las propiedades de expresión y representación de una
noción que apenas ha sido considerada bajo las variables que
aquí se plantean.
ABSTRACT: The present paper addresses the issue of the implication of silence on hearing and its epistemological contribution to culture. The main objective of the paper is to prove that silence plays a fundamental role at a perceptive and creative level becoming a powerful tool in creating and interpreting meaning. In order to show the extent of these points, the article is divided into three parts: the treatment of the inherent link between silence and hearing, the roots of astonished hearing in literature and finally an analysis of some proposals by the artist Felix Hess, whose work is closely linked to the principles transmitted in the aforementioned points. This highlights the validity of a notion that has scarcely ever been considered under the variables proposed here.
ABSTRACT: The present paper addresses the issue of the implication of silence on hearing and its epistemological contribution to culture. The main objective of the paper is to prove that silence plays a fundamental role at a perceptive and creative level becoming a powerful tool in creating and interpreting meaning. In order to show the extent of these points, the article is divided into three parts: the treatment of the inherent link between silence and hearing, the roots of astonished hearing in literature and finally an analysis of some proposals by the artist Felix Hess, whose work is closely linked to the principles transmitted in the aforementioned points. This highlights the validity of a notion that has scarcely ever been considered under the variables proposed here.
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