Publication: Isidoro Valcárcel Medina
Authors
Tejeda Martín, Isabel
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Publisher
Universidad de Granada
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DOI
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info:eu-repo/semantics/article
Description
©2018. This manuscript version is made available under the CC-BY-NC-ND 4.0 license http://creativecommons.org/licenses/by-nc-nd/4.0/
This document is the Published, version of a Published Work that appeared in final form in Sobre: Prácticas artísticas y políticas de la edición.
Abstract
Isidoro Valcárcel Medina (Murcia, 1937) es Premio Nacional de Artes Plásticas en 2007 y Premio Velázquez de Artes Plásticas en 2015. Su práctica artística se desenvuelve dentro de parámetros más relacionados con las situaciones y lo real que con la producción de objetos, evolucionando desde propuestas que bien pudieran convertirse en mercancías artísticas hasta una desmaterialización que deviene no tanto en obra sino en experiencia.
La entrevista discurre a partir del argumento que sugiere que durante el proceso de museificación o de colección de una obra de arte se produce indefectiblemente una modificación de su significado absoluto, en tanto que ese proceso implica una re-edición del contexto en que se generó.
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Isidoro Valcárcel Medina (Murcia, 1937) received the National Plastic Arts Award in 2007 and the Velázquez Plastic Arts Award in 2015. His artistic practice relates to the ideas of situation and reality, rather than to the production of objects. His artwork ranges from proposals that may well become artistic merchandise, to the dematerialization of pieces, therefore producing experiences instead of works of art. This interview revolves around the idea that creating a museum or an art collection produces an inevitable change in the absolute meaning of the work of art, because this process implies a re-edition of the context in which it was generated.
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Isidoro Valcárcel Medina (Murcia, 1937) received the National Plastic Arts Award in 2007 and the Velázquez Plastic Arts Award in 2015. His artistic practice relates to the ideas of situation and reality, rather than to the production of objects. His artwork ranges from proposals that may well become artistic merchandise, to the dematerialization of pieces, therefore producing experiences instead of works of art. This interview revolves around the idea that creating a museum or an art collection produces an inevitable change in the absolute meaning of the work of art, because this process implies a re-edition of the context in which it was generated.
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Citation
Tejeda, I. (2018). Entrevista a Isidoro Valcárcel Medina. Sobre. N04, 153-157
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