Publication: Inserciones en circuitos ideológicos, o la desobediencia silenciosa de Cildo Meireles, Grup de Treball y Equipo Santiago & Bruscky
Authors
Garnier Rojas, Colombe
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/reapi
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info:eu-repo/semantics/article
Description
Abstract
Este artículo trata sobre tres intervenciones artísticas de los años setenta en las cuales se emplean distintos canales de comunicación, controlados por regímenes autoritarios, para lanzar mensajes subversivos que invitan al pensamiento crítico. Se realiza un análisis comparativo de estos tres casos de estudio, alejados geográficamente, pero que comparten el contexto de represión proveniente de una dictadura militar, tanto en Brasil como en España: Inserções em circuitos ideológicos de Cildo Meireles (1970), Anunciamos de Grup de Treball (1973) y Revista clasificada de Equipe Bruscky & Santiago (1978). Un estudio de las obras desde su materialidad nos permite identificar las estrategias utilizadas y sus espacios de actuación, examinando su tentativa de comunicar con un público nuevo, a partir de su introducción dentro de un circuito preexistente. A través de estas acciones, se explora cómo una intervención artística que opera al interior de elementos o estructuras de la vida cotidiana, como pueden ser productos de consumo o medios de comunicación de masas, permite crear narrativas de resistencia frente a una situación socio-política compleja.
This article examines three artistic interventions from the 1970s that used different communication channels, controlled by authoritarian regimes, to disseminate subversive messages that encourage critical thinking. It presents a comparative analysis of three case studies that, despite being geographically distant, share the context of repression under military dictatorships in both Brazil and Spain: Inserções em circuitos ideológicos by Cildo Meireles (1970), Anunciamos by Grup de Treball (1973), and Revista Classificada by Equipe Bruscky & Santiago (1978).A material-based study of these works allows us to identify the strategies employed and the spaces in which they operated, examining their attempt to communicate with a new audience through their insertion into preexistent circuits. Through these actions, the article explores how artistic interventions that integrate into everyday structures, such as consumer goods or mass media, can create narratives of resistance in response to complex socio-political conditions.
This article examines three artistic interventions from the 1970s that used different communication channels, controlled by authoritarian regimes, to disseminate subversive messages that encourage critical thinking. It presents a comparative analysis of three case studies that, despite being geographically distant, share the context of repression under military dictatorships in both Brazil and Spain: Inserções em circuitos ideológicos by Cildo Meireles (1970), Anunciamos by Grup de Treball (1973), and Revista Classificada by Equipe Bruscky & Santiago (1978).A material-based study of these works allows us to identify the strategies employed and the spaces in which they operated, examining their attempt to communicate with a new audience through their insertion into preexistent circuits. Through these actions, the article explores how artistic interventions that integrate into everyday structures, such as consumer goods or mass media, can create narratives of resistance in response to complex socio-political conditions.
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