Publication: La máscara que luego estoy siguiendo. Sobre la relación entre cuerpo y sujeto en la obra de Erving Goffman
Authors
D’Angelo, Valerio
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Publisher
Universidad de Murcia. Servicio de Publicaciones
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DOI
https://doi.org/10.6018/daimon/268931
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info:eu-repo/semantics/article
Description
Abstract
En este artículo me propongo examinar la «ambigua» relación entre cuerpo y sujeto
en la obra de Erving Goffman. La teoría social
del interaccionismo simbólico, en el cual generalmente se enmarca la obra de Goffman, consigue
pensar una relación derivada de la subjetividad
con respecto al cuerpo. El enfoque dramatúrgico
devuelve al cuerpo, a la máscara y a la exterioridad un papel fundador en la construcción de uno
mismo y nos obliga a cuestionar la concepción
moderna del sujeto como unitario y esencialista.
Procuraré entonces mostrar cómo a la base de la
concepción relacional del self, está un abandono
de la noción de sujeto a favor de un juego de máscaras nunca acabado.
In this article my aim is to examine the «ambiguous» relation body and subject in Erving Goffman’s work. The social theory of the symbolic interactionism, in which generally Goffman’s work places, manages to think a derived relation of the subjectivity from the body. The dramaturgic approach gives to the body, to the mask and to the outward appearance a founding role in the construction of oneself, and forces us to question the modern conception of the subject as an unitary essence. I will try then to show how at the basis of the relational conception of the self, lies the abandonment of the notion of subject in favour of a never-ending game of masks.
In this article my aim is to examine the «ambiguous» relation body and subject in Erving Goffman’s work. The social theory of the symbolic interactionism, in which generally Goffman’s work places, manages to think a derived relation of the subjectivity from the body. The dramaturgic approach gives to the body, to the mask and to the outward appearance a founding role in the construction of oneself, and forces us to question the modern conception of the subject as an unitary essence. I will try then to show how at the basis of the relational conception of the self, lies the abandonment of the notion of subject in favour of a never-ending game of masks.
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Citation
Daimon. Revista Internacional de Filosofía, 2016, Suplemento 5, pp. 389-398
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