Publication: La alegoría en Baudelaire
Authors
Merita Blat, Luis
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/cartaphilus.361741
https://doi.org/10.6018/cartaphilus.361741
https://doi.org/10.6018/cartaphilus.361741
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info:eu-repo/semantics/article
Description
Abstract
Interpreto Les fleurs du
mal de Baudelaire a partir princi‐
palmente de los conceptos ofrecidos
por la teoría del arte de Adorno, en
un diálogo que busca la coherencia
hermenéutica del poeta con las
aportaciones para su comprensión
de Benjamin, Jauss y Gadamer. Con
el horizonte puesto en la relación
entre lo artístico y el saber, distingo
cuatro constelaciones de sentido en
los poemas baudelairianos: la cons‐
trucción alegórica de la realidad, el
poeta autointerpretado como arqui‐
tecto, la poética del recuerdo y el
spleen, desde cuyos marcos inter‐
pretativos esbozo materiales para
una posible historia de la belleza en
la modernidad.
I interpret Les fleurs du mal de Baudelaire mainly from the concepts offered by Adorno's theory of art, in a dialogue that seeks the hermeneutic coherence of the poet with the contributions for his under‐ standing of Benjamin, Jauss and Gadamer. With the horizon set in the relationship between the artistic and the knowledge, I distinguish four constellations of meaning of Baude‐ lairean poems: the allegorical con‐ struction of reality, the self‐ interpreted poet as an architect, the poetics of memory and spleen, from whose interpretative frameworks I sketch materials for a possible histo‐ ry of beauty in modernity.
I interpret Les fleurs du mal de Baudelaire mainly from the concepts offered by Adorno's theory of art, in a dialogue that seeks the hermeneutic coherence of the poet with the contributions for his under‐ standing of Benjamin, Jauss and Gadamer. With the horizon set in the relationship between the artistic and the knowledge, I distinguish four constellations of meaning of Baude‐ lairean poems: the allegorical con‐ struction of reality, the self‐ interpreted poet as an architect, the poetics of memory and spleen, from whose interpretative frameworks I sketch materials for a possible histo‐ ry of beauty in modernity.
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