Publication: Literatura de lo insólito: poéticas híbridas en la obra de Ángel Olgoso
Authors
Morales Benito, Lidia
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
La teoría de la literatura tiende a clasificar
las diferentes posturas estéticas según
parámetros precisos y bien delimitados. Si bien esta taxonomía responde a criterios
ineludibles, en el caso de la poética del escritor de relatos Ángel Olgoso la hibridez y
fusión de géneros se presta a una relectur
a de las nociones de realismo, maravilloso y
fantástico. Lo insólito como estética común a todos sus relatos invita a reflexionar
sobre los caminos inesperados por los que el texto lleva al lector, la concepción
extraña del mundo del autor granadino, y su
particular concepto de verosimilitud
Literary theory tend s to classify different aesthetic positions according to precise and well - delimited parameters. While this taxonomy fits certai n criteria, the hybridism and fusion of genres found in Angel Olgoso’s short s t ories lead us to a re - reading of notions of realism , fairy tales and the fantastic . The unusual as the common aesthetic in all his stories invites reflection on the unexpected d irections in which the text takes the reade r, the strange worldview of the author, and his particular concept of verisimilitude
Literary theory tend s to classify different aesthetic positions according to precise and well - delimited parameters. While this taxonomy fits certai n criteria, the hybridism and fusion of genres found in Angel Olgoso’s short s t ories lead us to a re - reading of notions of realism , fairy tales and the fantastic . The unusual as the common aesthetic in all his stories invites reflection on the unexpected d irections in which the text takes the reade r, the strange worldview of the author, and his particular concept of verisimilitude
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