Publication: Diálogos (sub)conscientes transatlánticos: de Rayuela de Julio Cortázar a la obra literaria de Juan Benet
Authors
Machín Lucas, Jorge
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
El presente artículo analiza dieciséis paralelismos entre Rayuela del escritor
argentino Julio Cortázar y la obra literaria del español Juan Benet. Son sus ataques
a la razón pactada, a la lógica y a la ciencia; el cuestionamiento de la noción de
realidad; la desconfianza en los sistemas y en las insuficiencias del lenguaje; la
creencia de que el centro está en los márgenes; la dialéctica entre imagen y
secuencia de imágenes; la duración bergsoniana ; el recuerdo distorsionado por las
emociones; la ausencia de líneas argumentales coherentes y la preferencia por el
estilo; el uso del oximoron; el de la ecdótica; el tono pseudocientifista; la búsqueda
de un lector activo; las penumbras entre la razón y la sinrazón; la dialéctica entre
razón y pasión; el interés por la noción de retracción; y su fuerte carga intertextual.
This article analyzes sixteen parallelisms between Hopscotch, written by Argentinian writer Julio Cortázar, and the literary works of the Spanish writer Juan Benet. They are the following: their attacks to an agreed reason, to logic and to science; their 1questioning of the notion of reality; their distrust of systems and of the insufficiencies of language; their belief in the fact that the center is in the margins; the dialectics between image and sequence of images; a bergsonian duration; a memory distorted by emotions; the absence of coherent plots and their preference for style; their use of oxymoron; that of ecdotics; their pseudoscientific tones; their search of an active reader; the darkness between reason and unreason; the dialectics between reason and passion; their interest for the notion of retraction; and their intertextual drives.
This article analyzes sixteen parallelisms between Hopscotch, written by Argentinian writer Julio Cortázar, and the literary works of the Spanish writer Juan Benet. They are the following: their attacks to an agreed reason, to logic and to science; their 1questioning of the notion of reality; their distrust of systems and of the insufficiencies of language; their belief in the fact that the center is in the margins; the dialectics between image and sequence of images; a bergsonian duration; a memory distorted by emotions; the absence of coherent plots and their preference for style; their use of oxymoron; that of ecdotics; their pseudoscientific tones; their search of an active reader; the darkness between reason and unreason; the dialectics between reason and passion; their interest for the notion of retraction; and their intertextual drives.
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