Publication: Palabra e imagen: los grafopoemas de Lola López-Cózar
Authors
Giménez Caro, María Isabel ; Rodríguez Muñoz, José Francisco
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
En este trabajo se compara
y analiza una selección de cuatro videopoemas
pertenecientes a Lola
López‐Cózar. El estudio pretende revelar
el sentido que alcanzan los recursos
textuales, visuales y sonoros en el
proceso de creación artística, deteniéndose
especialmente en uno de los
conceptos principales que recorren la
obra de la videopoeta: la tristeza. En
particular, es interesante explorar
cómo interactúan, se complementan o
especializan estos tres modos –la palabra,
la imagen y el sonido– a la hora
de transmitir la subjetividad de la autora
en las producciones estéticas a las
que denomina grafopoemas.
This paper compares and analyzes a selection of four videopoems belonging to Lola López‐Cózar. The study aims to reveal the sense that reach the textual, visual and audio resources in the process of artistic creation, especially stopping at one of the main concepts that cover the work of the videopoet: sadness. In particular, it is interesting to explore how they interact, complement or specialize these three modes ‐the word, image and sound‐transmitting when the subjectivity of the author in the aesthetic productions that called grafopoemas.
This paper compares and analyzes a selection of four videopoems belonging to Lola López‐Cózar. The study aims to reveal the sense that reach the textual, visual and audio resources in the process of artistic creation, especially stopping at one of the main concepts that cover the work of the videopoet: sadness. In particular, it is interesting to explore how they interact, complement or specialize these three modes ‐the word, image and sound‐transmitting when the subjectivity of the author in the aesthetic productions that called grafopoemas.
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