Publication: Del híbrido griego al cyborg
Authors
Aguilar, Teresa
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Publisher
Universidad de Murcia. Servicio de Publicaciones
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DOI
https://doi.org/10.6018/daimon/273111
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info:eu-repo/semantics/article
Description
Abstract
Este texto describe la evolución del
cyborg desde la época griega hasta la actualidad,
especialmente en el mundo del arte, a través del
concepto de hibridación. Las fusiones corporales
han estado presentes en la historia de la humanidad desde la prehistoria a través de la figura de los
teriántropos, en la mitología griega y más tarde en
la obra de artistas como Arcimboldo, el Bosco y
Leonardo. En la actualidad la figura del cyborg
sigue manteniendo su representatividad en el arte
con autores como Stelarc o P. Meste y adquiere
una gran presencia en el mundo cinematográfico
y en nuestro imaginario cotidiano.
This text describes the evolution of cyborg from Greek times to the present, especially in the art world, through the concept of hybridization. Bodily fusions have been present in the history of mankind from prehistory through the therianthropes figure, in Greek mythology and later in the work of Renaissance artists such as Arcimboldo, Bosco and Leonardo. Today the figure of the cyborg retains its representation in art with artists such as Stelarc or P. Meste and acquires a strong presence in the film world and in our everyday imaginary
This text describes the evolution of cyborg from Greek times to the present, especially in the art world, through the concept of hybridization. Bodily fusions have been present in the history of mankind from prehistory through the therianthropes figure, in Greek mythology and later in the work of Renaissance artists such as Arcimboldo, Bosco and Leonardo. Today the figure of the cyborg retains its representation in art with artists such as Stelarc or P. Meste and acquires a strong presence in the film world and in our everyday imaginary
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Citation
Daimon. Revista Internacional de Filosofía, 2016, Suplemento 5, pp. 177-186
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