Publication: Las representaciones contemporáneas de tragedias griegas y su relación con
problemas de actualidad: tres ejemplos en Andalucía.
Authors
Cuevas Caballero, Marta
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/myrtia.455341
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info:eu-repo/semantics/article
Description
Abstract
Teniendo siempre en mente la intemporalidad de los textos clásicos, en este trabajo se ha
analizado, a partir de la lectura de traducciones de los textos griegos y del estudio de
grabaciones de tres montajes andaluces, la relación con problemas de actualidad que tendrían
tres tragedias griegas: Prometeo encadenado, Antígona y Medea. De este modo, atendiendo
a la escenografía, el vestuario y la música, se observa que en Prometeo (2014), Antígona o la
felicidad (2006) y Medea, la extranjera (2004) se reflejan temas intemporales como la
corrupción, el poder, la felicidad, la hipocresía, la xenofobia o la condición de la mujer, a través
de recursos escénicos, dramáticos y artísticos que remiten a la significación contemporánea
de esos temas, acercándolos, por tanto, al público y demostrando su plena relación con la
actualidad.
Always considering the timelessness of classical texts, the connection between three Greek tragedies, Prometheus Bound, Antigone and Medea, and current issues has been analysed in this work basing on the reading of Greek texts translations and the study of three videorecorded Andalusian performances. This way, focusing on scenography, costumes and music, it is observed that in Prometeo (Prometheus, 2014), Antígona o la felicidad (Antigone or Happiness, 2006) and Medea, la extranjera (Medea the Foreigner, 2004), timeless topics such as corruption, power, happiness, hypocrisy, xenophobia or the status of women are reflected through scenic, dramatic and artistic resources that refer to the contemporary significance of those topics, bringing them closer to the audience and proving their full relationship to contemporary issues.
Always considering the timelessness of classical texts, the connection between three Greek tragedies, Prometheus Bound, Antigone and Medea, and current issues has been analysed in this work basing on the reading of Greek texts translations and the study of three videorecorded Andalusian performances. This way, focusing on scenography, costumes and music, it is observed that in Prometeo (Prometheus, 2014), Antígona o la felicidad (Antigone or Happiness, 2006) and Medea, la extranjera (Medea the Foreigner, 2004), timeless topics such as corruption, power, happiness, hypocrisy, xenophobia or the status of women are reflected through scenic, dramatic and artistic resources that refer to the contemporary significance of those topics, bringing them closer to the audience and proving their full relationship to contemporary issues.
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Teatro , Tragedia griega , Esquilo , Sófocles , Eurípides , Prometeo , Antígona , Medea , Actualidad , Adaptación , Theatre , Greek tragedy , Aeschylus , Sophocles , Euripides , Prometheus , Antigone , Current issues , Adaptation
Citation
Myrtia, Nº 35, 2020
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