Publication: Aderezando un retablo: un litigio entre Miguel López y el gremio de carpinteros de Orihuela.
Authors
Belso Delgado, Marina
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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DOI
https://doi.org/10.6018/imafronte.615711
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info:eu-repo/semantics/article
Description
Abstract
La creación de las Reales Academias constituyó el comienzo de la regularización con carácter oficial del estudio y trabajo de los artistas. Este nuevo sistema se oponía a la formación y control tradicional dependiente de los talleres gremiales, lo que generó diversas disputas entre académicos y no académicos por todo el reino. En este contexto, el presente artículo analiza las acusaciones interpuestas entre el escultor Miguel López y el Gremio de Carpinteros de Orihuela en 1806, a colación de una reforma a un retablo de la iglesia del antiguo convento de San Agustín de la misma ciudad, del que se ha localizado un boceto de su remate.
Abstract: The creation of the Royal Academies established the beginning of the official regularisation of the artists’s studio and work. This new system was opposed to the traditional training and control of the guild workshops, which led to various disputes between academics and non-academics throughout the kingdom. In this context, this article analyses the accusations between the sculptor Miguel López and the Carpenter’s Guild of Orihuela in 1806, in connection with a reform of an altarpiece in the Saint Augustine’s church in the same city, of which a sketch of its finial has been located.
Abstract: The creation of the Royal Academies established the beginning of the official regularisation of the artists’s studio and work. This new system was opposed to the traditional training and control of the guild workshops, which led to various disputes between academics and non-academics throughout the kingdom. In this context, this article analyses the accusations between the sculptor Miguel López and the Carpenter’s Guild of Orihuela in 1806, in connection with a reform of an altarpiece in the Saint Augustine’s church in the same city, of which a sketch of its finial has been located.
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Citation
Belso Delgado, M. (2025). Aderezando un retablo: un litigio entre Miguel López y el gremio de carpinteros de Orihuela. Imafronte, (32), 103–118. https://doi.org/10.6018/imafronte.615711
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