Publication: Entre la docilidad y la seducción: la mujer en la cuentística de Blasco Ibáñez
Authors
Sales Dasí, Emilio
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Vicente Blasco Ibáñez le otorgó
en sus obras
un papel
asombroso
a la
mujer
.
Si en sus primeros relatos los
personajes femeninos sobresalían
como víctimas de una dominación injusta, con el tiempo
se convirtieron en
criaturas
fatales
que
empujaban
a la tragedia a los hombres
que
cautivaban
con su atractivo. Un
análisis de l
os
divers
os
tipos
femeninos
que recorren su
narrativa breve pone de manifiesto la impresionante vocación irónica del
autor, deja entrever cierto pensamiento misógino y refleja su preocupación
ante
el papel que debe desempeñar l
a mujer moderna
.
Concebida a veces
desde posiciones ambivalentes,
la
imagen del sexo femenino ilustra
la
afinidad de Blasco Ibáñez con la estética naturali
s
ta, al mismo tiempo
que
nos
permite profundizar en sus aspiraciones personales más íntimas
Vicente Blasco Ibañez gave to women an exceptional role all through his production. Even though they stood out as victims of an unfair domination during his first stories, th ey increasingly became fatal creatures who impelled men to tragedy thanks to their appeal. An analysis of the various female types that run through his brief narrative highlights the impressive ly ironic vocation of the author. It also suggests some misogyn ist thinking and reflects its concern towards the role of the modern woman. Having sometimes been conceived from ambivalent positions, Blasco Ibáñez’s female representation not only illustrates his affinity for the naturalistic aesthetic, but also permits us taking a close look at his most intimate personal aspirations.
Vicente Blasco Ibañez gave to women an exceptional role all through his production. Even though they stood out as victims of an unfair domination during his first stories, th ey increasingly became fatal creatures who impelled men to tragedy thanks to their appeal. An analysis of the various female types that run through his brief narrative highlights the impressive ly ironic vocation of the author. It also suggests some misogyn ist thinking and reflects its concern towards the role of the modern woman. Having sometimes been conceived from ambivalent positions, Blasco Ibáñez’s female representation not only illustrates his affinity for the naturalistic aesthetic, but also permits us taking a close look at his most intimate personal aspirations.
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