Publication: Emancipación o barbarie en la música. Los orígenes de la Teoría Crítica de Th. W. Adorno en sus escritos musicales tempranos
Authors
Maiso, Jordi
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Publisher
Universidad de Murcia. Servicio de Publicaciones
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DOI
http://dx.doi.org/10.6018/daimon/176721
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info:eu-repo/semantics/article
Description
Abstract
Los escritos musicales tempranos de Adorno ofrecen una perspectiva fundamental para comprender su fisiognomía intelectual y su contribución al proyecto de la Teoría Crítica. Se trata de escritos marcados por la militancia en la vanguardia musical en torno a Arnold Schönberg, en los que cobran voz las experiencias que marcan el paso de Adorno de la estética musical a la teoría crítica de la sociedad. En ellos pueden leerse las tensiones de un momento histórico en el que se iba a decidir el rumbo de la sociedad y, con él, el destino de las vanguardias y el lugar social del arte.
Adorno’s early musical writings offer a crucial insight into his intellectual physiognomy and into his specific contribution to the collec-tive project of Critical Theory. These writings are characterized by the engagement with the musical avant-garde movement around Arnold Schönberg; they reveal the experiences which lead Adornos evolution from music aesthetics to critical theory. This text enables an insight into the struggles of an historical moment in which the future course of society, the destiny of avant-garde and the social role of art was about to be decided.
Adorno’s early musical writings offer a crucial insight into his intellectual physiognomy and into his specific contribution to the collec-tive project of Critical Theory. These writings are characterized by the engagement with the musical avant-garde movement around Arnold Schönberg; they reveal the experiences which lead Adornos evolution from music aesthetics to critical theory. This text enables an insight into the struggles of an historical moment in which the future course of society, the destiny of avant-garde and the social role of art was about to be decided.
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Citation
Daimon. Revista Internacional de Filosofía, nº 65, 2015, p. 21-35
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