Publication: Pongo el culo compañero. Izquierda, disidencia sexual y performance: Vínculos, fisuras y rupturas en Chile
Authors
Antivilo Peña, Julia
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/284431
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info:eu-repo/semantics/article
Description
Abstract
Mi propuesta de artículo busca reflexionar entre los vínculos,
rupturas y fisuras de los discursos del cuerpo disidente sexual que
a través del performance encaran a la izquierda chilena de la cual
ha sido parte militante. Para ello, busco analizar las prácticas del
performance en Chile en las décadas del ochenta y los noventa,
donde se expresen estas problemáticas en las acciones como por
ejemplo la obra de Pedro Lemebel y su famoso Manifiesto (Hablo
por mi diferencia), presentado en un acto político del Partido
Comunista en septiembre de 1986, en Santiago de Chile. Además
de las intervenciones performáticas del artivista Víctor Hugo
Robles en los noventa del siglo XX hasta la actualidad
My proposal for the article seeks to reflect on the bonds, ruptures and fissures of the discourses on dissident sexual bodies which, through performance, confront the Chilean left of which they have formed a militant part. In order to do this, I seek to analyse performance practices in Chile in the 1980s and 1990s, which express these problems and challenges. Such is the case of Pedro Lemebel’s work and his famous Manifesto (I speak for my difference), presented in a political act of the Communist Party in September of 1986 in Santiago of Chile. I also want to shed light on Víctor Hugo Robles’s performative interventions during the 1990s to the present
My proposal for the article seeks to reflect on the bonds, ruptures and fissures of the discourses on dissident sexual bodies which, through performance, confront the Chilean left of which they have formed a militant part. In order to do this, I seek to analyse performance practices in Chile in the 1980s and 1990s, which express these problems and challenges. Such is the case of Pedro Lemebel’s work and his famous Manifesto (I speak for my difference), presented in a political act of the Communist Party in September of 1986 in Santiago of Chile. I also want to shed light on Víctor Hugo Robles’s performative interventions during the 1990s to the present
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Política , Disidencia sexual , Performance , Politics , Sexual dissidence , Arte , Activismo , Performance chilena , Izquierda , Art , Activism , Chilean performance , Left
Citation
Arte y Políticas de Identidad, Vol. 15 (2016)91-110
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