Publication: Marivaux dans les cités: L’Esquive
d’Abdellatif Kechiche
Authors
Reynés Linares, Aina
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Resumen: En este artículo hemos pretendido analizar la utilización y la presencia del teatro en L’Esquive (2004), la segunda película del director franco-tunecino Abdellatif Kechiche. Para ello hemos tratado de mostrar cómo Kechiche se aleja de los clichés y estereotipos asociados
a la banlieue para acercarnos a los sentimientos de un grupo de adolescentes y concretamente de Krimo y Lydia.
La utilización del teatro y en especial de Marivaux con su obra Le Jeu de l’amour et du hasard (1730) proporcionan a la película una profundidad y un juego estético y simbólico característico, que nos ha permitido realizar paralelismos entre la obra y la película.
Asimismo hemos tratado de analizar el rol del teatro en el auto-aprendizaje del alumno así como el instituto en su función de espacio de maduración y desarrollo de la juventud.
Abstract: In this article we had intended to analyze theuse and presence of theater in L’Esquive (2004),the second film of the Franco-Tunisian filmmaker Abdellatif Kechiche. To do this we havetried to show how Kechiche moves away fromthe clichés and stereotypes associated with the banlieue, to approach us to the feelings of agroup of teenagers, and specifically Krimo andLydia. The use of theater and especially of Marivauxand his work Le Jeu de l’amour et du hasard(1730) gives the film a depth and a distinctive aesthetic and symbolic game that allowed us tomake parallels between the play and the film. We have also tried to analyze the role of theaterin the student’s self-learning as well as the highschool in its function of space of maturationand development of youth.
Abstract: In this article we had intended to analyze theuse and presence of theater in L’Esquive (2004),the second film of the Franco-Tunisian filmmaker Abdellatif Kechiche. To do this we havetried to show how Kechiche moves away fromthe clichés and stereotypes associated with the banlieue, to approach us to the feelings of agroup of teenagers, and specifically Krimo andLydia. The use of theater and especially of Marivauxand his work Le Jeu de l’amour et du hasard(1730) gives the film a depth and a distinctive aesthetic and symbolic game that allowed us tomake parallels between the play and the film. We have also tried to analyze the role of theaterin the student’s self-learning as well as the highschool in its function of space of maturationand development of youth.
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Citation
Reynés Linares, A. (2013). Marivaux dans les cités: "L’Esquive" d’Abdellatif Kechiche. Anales de Filología Francesa, 21, 321–332. Recuperado a partir de https://revistas.um.es/analesff/article/view/188301
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