Publication: Correspondencias “en nombre de” la canción: vecindad, extranjería y aprobación
Authors
Panea Fernández, José Luis
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Publisher
Servicio de publicaciones, Universidad de Murcia
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DOI
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info:eu-repo/semantics/article
Description
Abstract
La relación entre producciones simbólicas, migraciones y nacionalidad serán
analizadas a partir del deseo de reconocimiento que los imaginarios de los
medios de masas promueven, en este caso dentro del espectáculo audiovisual
del Festival de Eurovisión. A su potencial archivístico, explorado desde la
imagen –a saber, los estudios visuales, el arte o la escenografía– al igual que
la sociología o la etnomusicología, hemos de sumar la centralidad de la ficción
política “nación”, abordada desde Anderson, Huntington, Brah o Sennett, ya
que pese a que el certamen enfatiza sus aspectos musicales y escenográficos,
así como la continua repetición del nombre de los países y la presencia de
la bandera hace de este un escenario proclive a la creación de afinidades/
adversidades “invocadas” a través de la canción. Se realizarán dos recorridos
paralelos, tanto por las tensiones de los países concurrentes desde un análisis
de las votaciones recogidas durante sus sesenta años de historia, como por
aquellas candidaturas representadas por intérpretes de “otras” procedencias
u orígenes, y de manera entretejida a través de las distintas “naciones”,
verificando hasta qué punto dichas problemáticas afectan al intento de
creación conjunta y pacifista de Eurovisión.
The intersections between symbolic productions, migration and nationality will be analysed from the desire of recognition promoted by mass media imaginaries, in this case though the audio-visual show of the Eurovision Song Contest. Its archivist potential, explored from the image –like visual studies, arts or scenography, as well as sociology, anthropology or ethnomusicology– is pierced by the centrality of the ‘nation’ politic fiction, studied by Anderson, Huntington, Brah or Sennett. Even though the contest emphasizes his musical and cultural aspect, the continuous repetition of the name of the nation and the presence of the flag makes this show a field inclined to the creation of affinities and adversities called upon the Song. We will follow two synchronic rounds, first through the tensions of the contestant countries in the gathered voting analysis in all Eurovision history, and second, through those entries that has been represented by singers from ‘others’ origins. This two ways will be articulated by the different groups of nation blocks, verifying how all this issues affects to the pacifist collaborative creation that characterizes the Eurovision Song Contest.
The intersections between symbolic productions, migration and nationality will be analysed from the desire of recognition promoted by mass media imaginaries, in this case though the audio-visual show of the Eurovision Song Contest. Its archivist potential, explored from the image –like visual studies, arts or scenography, as well as sociology, anthropology or ethnomusicology– is pierced by the centrality of the ‘nation’ politic fiction, studied by Anderson, Huntington, Brah or Sennett. Even though the contest emphasizes his musical and cultural aspect, the continuous repetition of the name of the nation and the presence of the flag makes this show a field inclined to the creation of affinities and adversities called upon the Song. We will follow two synchronic rounds, first through the tensions of the contestant countries in the gathered voting analysis in all Eurovision history, and second, through those entries that has been represented by singers from ‘others’ origins. This two ways will be articulated by the different groups of nation blocks, verifying how all this issues affects to the pacifist collaborative creation that characterizes the Eurovision Song Contest.
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Eurovisión , Eurovision Song Contest , Geopolítica , Diáspora , Raza , Geopolitics , Diaspora , Race , Nación , Representación , Nation , Representation
Citation
Arte y políticas de identidad, vol. 18, (2018),87-108
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