Publication: Mesa 6. Tradición en crisis.-La ironía de la razón
Authors
Martínez Fabregat, Silvia
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Universidad de Murcia
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Publisher
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DOI
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info:eu-repo/semantics/other
Description
Abstract
Resumen: tras el reinado de la diosa razón vivimos en la época del emotivismo. Los discursos apelan no a
la objetividad y el peso del argumento lógicamente inexpugnable, sino a mover el pathos del público, conmover y
seducir. Por ello, presenciamos un uso curioso de las figuras retóricas como vehículo para expresar la realidad. Un
recurso con doblez que sobrevuela la claridad para disolverse tras una nube de segundos significados. ¿Qué uso de
esas figuras retóricas nos caracteriza? ¿Es el humor y en concreto la ironía?
Abstract: After the reign of the goddess reason we live in the epoch of the emotivism. The speeches appeal not to the objectivity and the weight of the logically impregnable argument, but to moving the pathos of the public, affecting and seducing. Therefore, we attend a curious use of the rhetorical figures as vehicles to express the reality. A resource with fold (insincerity) that overflies the clarity to dissolve after a cloud of the second meanings. What use of these rhetorical figures does characterize? Is it the humor and in concrete the irony?
Abstract: After the reign of the goddess reason we live in the epoch of the emotivism. The speeches appeal not to the objectivity and the weight of the logically impregnable argument, but to moving the pathos of the public, affecting and seducing. Therefore, we attend a curious use of the rhetorical figures as vehicles to express the reality. A resource with fold (insincerity) that overflies the clarity to dissolve after a cloud of the second meanings. What use of these rhetorical figures does characterize? Is it the humor and in concrete the irony?
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Razón , crisis , figuras retóricas , ironía , humor , Reason , crisis , rhetorical figures , irony , humor
Citation
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