Publication: Théâtre, revendication et identité(s) au Québec:
La Duchesse de Langeais et Hosanna
de Michel Tremblay
Authors
Pujante González, Domingo
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Resumen: Si hay un ámbito cultural en Quebec que ha desarrollado y abordado profusamente en las últimas décadas todos los temas relacionados con la(s) identidad(es) en general y la(s) homosexual(es) en particular ése es claramente el teatro, fomentando una visión pluralista de
la sociedad. Marginalidad, discriminación, deseo, cuestionamiento de las relaciones afectivas de pareja, de amistad o de familia han sido el
epicentro temático de muchas obras teatrales. A través del análisis de La Duchesse de Langeais (1968) y Hosanna (1971) de Michel Tremblay, dos obras transgresoras de marcado cariz subversivo que tienen el travestismo como eje central, pretendemos poner de relieve el gran valor social de este teatro reivindicativo y políticamente pedagógico, así como su enorme
contribución tanto a la visibilidad de la diferencia lingüística y cultural como a la diversidad de identidades y orientaciones sexuales dentro
y fuera de Quebec.
Abstract: In recent decades, the theatre in Quebec has without doubt been the cultural field that has best dealt with matters relating to identities in general, and in particular to homosexual ones. This has contributed to promoting a pluralistic vision of society. Indeed such themes as marginalization, discrimination, desire or the questioning of relationships between partners, friends or relatives, can be found in many plays. Through the analysis of the transgressive and subversive works, La uchesse de Langeais (1968) and Hosanna (1971) by Michel Tremblay, both of which have a political and transvestite component as their central axis, we aim to highlight the great social value of this highly demanding and pedagogical theatre. Certainly, these works contribute greatly in giving insight into the linguistic and cultural differences, as well as to the different identities and sexual orientations, both inside and outside of Quebec.
Abstract: In recent decades, the theatre in Quebec has without doubt been the cultural field that has best dealt with matters relating to identities in general, and in particular to homosexual ones. This has contributed to promoting a pluralistic vision of society. Indeed such themes as marginalization, discrimination, desire or the questioning of relationships between partners, friends or relatives, can be found in many plays. Through the analysis of the transgressive and subversive works, La uchesse de Langeais (1968) and Hosanna (1971) by Michel Tremblay, both of which have a political and transvestite component as their central axis, we aim to highlight the great social value of this highly demanding and pedagogical theatre. Certainly, these works contribute greatly in giving insight into the linguistic and cultural differences, as well as to the different identities and sexual orientations, both inside and outside of Quebec.
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Citation
Pujante González, D. (2013). Théâtre, revendication et identité(s) au Québec: "La Duchesse de Langeais et Hosanna" de Michel Tremblay. Anales de Filología Francesa, 21, 297–319. Recuperado a partir de https://revistas.um.es/analesff/article/view/188291
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