Repository logo
  • English
  • Čeština
  • Deutsch
  • Español
  • Français
  • Gàidhlig
  • Latviešu
  • Magyar
  • Nederlands
  • Português
  • Português do Brasil
  • Suomi
  • Svenska
  • Türkçe
  • Қазақ
  • বাংলা
  • हिंदी
  • Ελληνικά
  • Log In
    or
    New user? Click here to register.
Repository logo

Repositorio Institucional de la Universidad de Murcia

Repository logoRepository logo
  • Communities & Collections
  • All of DSpace
  • Statistics
  • menu.section.collectors
  • menu.section.acerca
  • English
  • Čeština
  • Deutsch
  • Español
  • Français
  • Gàidhlig
  • Latviešu
  • Magyar
  • Nederlands
  • Português
  • Português do Brasil
  • Suomi
  • Svenska
  • Türkçe
  • Қазақ
  • বাংলা
  • हिंदी
  • Ελληνικά
  • Log In
    or
    New user? Click here to register.
  1. Home
  2. Browse by Subject

Browsing by Subject "The castafiore emerald"

Now showing 1 - 1 of 1
Results Per Page
Sort Options
  • Loading...
    Thumbnail Image
    Publication
    Open Access
    Tintin et le langage
    (2018-01-18) Bidaud, Samuel
    This article focuses on the conception of language which emerges from The Adventures of Tintin. We can distinguish essentially three kinds of relations to language in Tintin, which more or less follow the chronology of the albums. Tintin's language, first, is characterized by transparency and corresponds to a form of "classical episteme". With the appearance of Captain Haddock in The Crab with the Golden Claws, then with Professor Calculus, language becomes its own object at the same time that it allows the characters to reveal some of their problems, especially that of their identity. Finally, in the last period, which begins with The Castaore Emerald, language is losing its function of meaning to be nothing but noise. 

DSpace software copyright © 2002-2026 LYRASIS

  • Cookie settings
  • Accessibility
  • Send Feedback