Browsing by Subject "Robbe-Grillet"
Now showing 1 - 2 of 2
Results Per Page
Sort Options
- PublicationOpen AccessLa recepción de Robbe-Grillet en España (Iª parte): la década de los cincuenta.(Universidad de Murcia, Servicio de Publicaciones, 2022) Fernández Cardo, José MaríaThis work studies the reception of the French novelist Alain Robbe-Grillet in Spain in the 1950s, with particular attention to the translations of his first three novels, which were published in Spanish under the titles La doble muerte del profesor Dupont, El mirón and La celosía in the series “Biblioteca Breve” by Seix Barral. Together with the figure of the translator, we study the paratext of the edition covers, which are considered relevant for the creation of a particular image, as well as the context of cultural autarchy at the time. The publication of the book by J. M. Castellet La hora del lector in 1957 and the First International Colloquium of the Novel in Formentor in 1959 are two relevant landmarks for the study of the author’s reception in the Spanish literary landscape.
- PublicationOpen AccessRobbe-Grillet en Barthes. Ni tan cerca, ni tan lejos.(Universidad de Murcia, Servicio de Publicaciones, 2022) Sirvent Ramos, ÁngelesBarthes was one of the first to support Robbe-Grillet’s first texts, just as Robbe-Grillet was one of the first to publicly highlight the status of Barthes’ as a writer, non only critic and semiologist. From 1945 to 1980, the year of Barthes’ premature death, the presence of Robbe-Grillet’s writing in Barthesian reflections will be evident, not only in the articles included in the Critical Essays, but in 29 texts by Barthes. The objective in this study is to show the different modulations of this critical-literary approach, and to address the misunderstandings that have arisen. Barthes would have liked the primacy of the object to be maintained, devoid of any psychology, the annulment of meaning, in the way proposed in Degree zero. However, although Barthes has “killed” the author –although he himself allowed his textual return–; although Robbe-Grillet has hidden it well in his novels, the two will walk together towards the “Romanesque”.