Browsing by Subject "Representación teatral"

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    Antonin Artaud sur la scène espagnole (1969-2016)
    (Universidad de Murcia, Servicio de Publicaciones., 2019) Corral Fullà, Anna
    Abstract: The influence of Artaud’s theories in the world of theatre is, today, an indisputable reality. In - deed, Artaud represents the pillar on which the collective groups of independent theatre arisen in the years 60-70 (Living Theater, etc.) rest; the most innovative theories of renowned thea - ter directors such as Jerzy Grotowski or Peter Brook; the postdramatic theatre (the perfor - mance, among others) and the new rank granted to the word in the theatrical representation. At present, Artaud is an inescapable reference in the theatrical field: Artaud and The theatre and the plague ; Artaud and Theatre of cruelty ; theoretical writings collected in Theatre and its double . This article aims to address the reception of Ar - taud on the Spanish theatre stage. We are inte - rested in revealing what representations of Ar - taud have been privileged - the theatre man, the madman, the poet, the sick ... - and examine the incidence of these performances in the dissemi - nation of the work of Antonin Artaud in Spain.
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    Reversos y crisis del código del honor barroco: hacia el esperpento de Valle-Inclán
    (2016-05-05) Arlandis, Sergio
    The lines that flow into the Ramon María del Valle-Inclan's esperpento, are varied and serve very different reasons and legacies: one is, from our particular perspective, Baroque concept of honor, seen as a grotesque distortion of ethical and moral values, led to an ideological and social end. Based on this model of Calderon de la Barca will be unquestionable, both with respect to own term of honor, and by the constant references in the Valle-Inclán's theatre gave about her figure and values underpinning theatrical representation of Spanish culture.