Repository logo
  • English
  • Čeština
  • Deutsch
  • Español
  • Français
  • Gàidhlig
  • Latviešu
  • Magyar
  • Nederlands
  • Português
  • Português do Brasil
  • Suomi
  • Svenska
  • Türkçe
  • Қазақ
  • বাংলা
  • हिंदी
  • Ελληνικά
  • Log In
    or
    New user? Click here to register.
Repository logo

Repositorio Institucional de la Universidad de Murcia

Repository logoRepository logo
  • Communities & Collections
  • All of DSpace
  • menu.section.collectors
  • menu.section.acerca
  • English
  • Čeština
  • Deutsch
  • Español
  • Français
  • Gàidhlig
  • Latviešu
  • Magyar
  • Nederlands
  • Português
  • Português do Brasil
  • Suomi
  • Svenska
  • Türkçe
  • Қазақ
  • বাংলা
  • हिंदी
  • Ελληνικά
  • Log In
    or
    New user? Click here to register.
  1. Home
  2. Browse by Subject

Browsing by Subject "Queer writing"

Now showing 1 - 1 of 1
Results Per Page
Sort Options
  • Loading...
    Thumbnail Image
    Publication
    Restricted
    The Memory of the Bastard Angel: autobiographical writing in Harold Norse
    (Liverpool University Press / Clemson University Press, 2022) Encarnación Pinedo, Estíbaliz; Filología Inglesa
    The Beats’ unabashed championing of personal experience, located at the core of Jack Kerouac’s “Essentials of Spontaneous Prose” (1955), led to an aesthetic intimately concerned with the representation of “the unspeakable visions of the individual.”² Yet, far from “unspeakable,” Beat poets and writers frequently used their writing to particularize their personal stories. This impetus resulted in not only the candid first-person drive behind much of their poetry and fiction, but also in the profusion of first-person accounts through the use of journal, collected letters, autobiographies, and memoirs. Dubbed as “A fifty-year literary and erotic odyssey,” Harold Norse’s Memoirs of a Bastard Angel

DSpace software copyright © 2002-2026 LYRASIS

  • Cookie settings
  • Accessibility
  • Send Feedback