Browsing by Subject "Futurismo"

Now showing 1 - 3 of 3
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    Alfonso Reyes y la literatura vanguardista sobre la Gran Guerra
    (2016-05-05) Pineda Buitrago, Sebastián
    The Mexican writer Alfonso Reyes (1889-1959) was a witness of the Mexican Revolution and the First World War. After the murder of his father in one of the cruelest episodes of the Mexican Revolution, The Tragic Ten Days ("La Decena Trágica", February 9 and February 19, 1913), Reyes spent one year in Paris as a second class diplomat. Then Reyes sought asylum in Spain in September 1914, since France was invaded by Germany, and he could not back to Mexico as Victoriano Huerta's regime had been overthrown. Reyes spent ten years in Madrid, where he contributed to the development of literary essay. This article studies the extent to which Reyes's texts were written in Madrid in the context of vanguardism (cubism and futurism), specially those text included in Calendario (1924) that describe warlike episodes.
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    Mujeres futuristas en la Primera Guerra Mundial: Feminismo, creatividad y regeneración social
    (2015-12-03) Peña, Victoriano
    Although it may seem contradictory with some of the foundational ideas of a marked misogynist character and the posterior filo fascist development of futurism, women took part in this vanguard movement in an active manner, and they maintained a fruitful vital itinerary from the most varied artistic disciplines. Coinciding with the second biennium of First World War, women writers such as Enif Robert, Rosa Rosá, Magamal, Enrica Piubellini, Maria Giannini, Benedetta Cappa Marinetti, from the pages of futurist magazines and in their works of literary creation, claimed decisively the fundamental women's role in society.
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    El simplismo de Alberto Hidalgo: tradición e innovación.
    (Universidad de Murcia, EDITUM, 2021) Fernández-Cozman, Camilo Rubén; Tahua Delgado, Roger; Ticona Lecaros, Julio César
    Alberto Hidalgo, poeta peruano, fue uno de los iniciadores de la vanguardia literaria en Hispanoamérica en las primeras décadas del siglo XX. Su corriente literaria, el simplismo, puso de relieve el papel de la metáfora como centro del poema. Tomó algunos aportes del pensamiento de Friedrich Nietzsche, del simbolismo de Stéphane Mallarmé y del futurismo de Filippo Tommaso Marinetti; sin embargo, dio aportes singulares a la literatura hispanoamericana como teórico del verso y autor innovador